Sarah Stockman is a photographer based in Melbourne who also works as the manager, creative director, and “Dance Mom” to local act Electric Toothbrush. Her…
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The brand new album from Bear’s Den, So that you might hear me, borrows its name from a similarly titled (So That You Will Hear Me) poem…
As Kelcey Ayer tells us, the idea of a ‘band’ is fading away in favour of solo artists and chief songwriters leading their live bands….
A month on from its release on March 8th, Dave’s Psychodrama remains one of the most compelling bodies of work out of the UK this generation….
It’s hard to pinpoint where the relationship between beer and live music began, but it sure as hell has flourished under the steady hand of…
The Jezabels are amongst Sydney’s finest rock bands. Their career stretches further than a decade back at this stage, dotted by new fans and accolades…
Ocean Alley’s rise to fame has been exponential. Their latest album Chiaroscuro was a chart-throb, they scored #1 in triple j’s Hottest 100 of 2018, and as…
Speaking to Dallas Woods is very similar to listening to his tunes; he’s direct, steadfast, and he’s not afraid to make some noise. Yet underneath the…
Olympia’s big picture is coming into focus With an album on the way and a boundless artistic vision in tow, Olympia is poised to impress….
It was in May 2017 that Pond released their last full-length, a politically apt collection of face-melting guitar pop called The Weather. Where that album lamented…
In 2018 Mojo Juju cemented herself as an artist that bears paying attention to. Her latest album Native Tongue tells her segmented family history through a…
The genesis of Rhye, a musical project from Canada’s Mike Milosh, is an interesting one. Choosing to forgo imagery of himself in teaser videos and…
This article appears in print in Happy Mag Issue 10: The Drug Issue. Grab your copy here.
I have taken drugs at every festival I’ve…
